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As a creative medium, ancient Greek tragedy has had an

extraordinarily wide influence: many of the surviving plays are

still part of the theatrical repertoire, and texts like Agamemnon,

Antigone, and Medea have had a profound effect on Western culture.

This Companion is not a conventional introductory textbook but an

attempt, by seven distinguished scholars, to present the familiar

corpus in the context of modern reading, criticism, and performance

of Greek tragedy. There are three main emphases: on tragedy as an

institution in the civic life of ancient Athens, on a range of

different critical interpretations arising from fresh readings of

the texts, and on changing patterns of reception, adaptation, and

performance from antiquity to the present. Each chapter can be read

independently, but each is linked with the others, and most

examples are drawn from the same selection of plays.

List of illustrations

List of contributors

Preface

Plan of the city of Athens

Part I. Tragedy as an Institution: The Historical Context:

1. 'Deep plays': theatre as process in Greek civic life Paul

Cartledge

2. A show for Dionysus P. E. Easterling

3. The audience of Athenian tragedy Simon Goldhill

4. The pictorial record Oliver Taplin

Part II. The Plays:

5. The sociology of Athenian tragedy Edith Hall

6. The language of tragedy: rhetoric and communication Simon

Goldhill

7. Form and performance P. E. Easterling

8. Myth into mythos: the shaping of tragic plots Peter Burian

Part III. Reception: 9. From repertoire to canon P. E.

Easterling

10. Tragedy adapted for stages and screens: the Renaissance to the

present Peter Burian

11. Tragedy in performance: nineteenth- and twentieth-century

productions Fiona Macintosh

12. Modern critical approaches Simon Goldhill

Glossary

Chronology

Texts, commentaries and translations

Works cited

Index

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