Statius and Virgil斯塔提乌斯和维吉尔：《底比斯隐士的生活》和《埃涅阿斯纪》的重新审问 fb2 免费 lrf 下载 kindle azw3 pdf 阿里云

At the end of the Thebaid, Statius enjoins his epic 'not to compete with the divine Aeneid but rather to follow at a distance and always revere its footprints'. The nature of the Thebaid's interaction with the Aeneid is, however, a matter of debate. This book argues that the Thebaid reworks themes, scenes, and ideas from Virgil in order to show that the Aeneid's representation of monarchy is inadequate. It also demonstrates how the Thebaid's fascination with horror, spectacle, and unspeakable violence is tied to Statius' critique of the moral and political virtues at the heart of the Aeneid. Professor Ganiban offers both a new way to interpret the Thebaid and a largely sequential reading of the poem.

作者简介：

Randall Ganiban is Associate Professor of Classics at Middlebury College, Vermont.

Preface

List of abbreviations

1　Introduction

2 Oedipus' curse

3 Horror, prophecy, and the gods

4 Hypsipyle's narrative of nefas

5 Bacchus and the outbreak of war

6 Dis and the domination of hell

7 Delay and the rout of Pietas

8 Spectacle, crime, and monarchy at Thebes

9 Pietas, burial, and clementia in a world of nefas

Works cited

General index

Index locorum

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书籍介绍

Review

"...this is a splendid study of the Thebaid." --BMCR

Product Description

At the end of the Thebaid, Statius enjoins his epic 'not to compete with the divine Aeneid but rather to follow at a distance and always revere its footprints'. The nature of the Thebaid's interaction with the Aeneid is, however, a matter of debate. This book argues that the Thebaid reworks themes, scenes, and ideas from Virgil in order to show that the Aeneid's representation of monarchy is inadequate. It also demonstrates how the Thebaid's fascination with horror, spectacle, and unspeakable violence is tied to Statius' critique of the moral and political virtues at the heart of the Aeneid. Professor Ganiban offers both a way to interpret the Thebaid and a largely sequential reading of the poem.